Review: Flight (2012)

What happens if a pilot, high on alcohol and cocaine, saves his plane and almost all the souls on board after the plane is crippled by a catastrophic equipment failure, one that would have lead to an unsurvivable crash in any other pilot’s hands? This is the question explored in the film Flight directed by Robert Zemeckis and starring Denzel Washington as the pilot in question.

Let’s be clear about this, as the movie has been (in my opinion) badly misrepresented in advertising. It’s not a disaster movie, depicting in lovely detail every scare the crew and passangers go through – the flight and the crash are a short sequence in the early part of the film, and are hardly ever returned to. It’s not a detective story, following the NTSB around as they solve the puzzle. What it is, instead, is the story of the pilot, dealing with the aftermath. It is a morality tale, to be sure, and one that doesn’t paint with subtle strokes.

The mismatch between advertising and movie is nicely underscored by the contrast between advertisements on the screen and the composition of the audience in the screening I attended today, at Finnkino’s Fantasia theatre here in Jyväskylä. There were about twenty people in attendance. All the women present were there with a man; there were some unaccompanied men like myself. The advertisements seemed to be targeted on a woman-rich environment, however.

The movie might pass the Bechdel test, if one is feeling generous. This test requires that a movie should have at least two named female characters that have a conversation about something other than a man. During the flight emergency sequence, the flight attendants do discuss the situation, very briefly, and I think every one of them is named. I don’t think that’s what the test has in mind, though. Other than that, I believe all interactions women have in the film are with one man or another.

The shock of wrong expectations aside, there were some things I really liked about the movie. Nicole (Kelly Reilly), a drug-addict woman looking to get clean who moves in with our alcohol-addict pilot for a while, had some really good sense and did the right thing when it mattered. The story was given a satisfactory ending, something I really doubted could be done as the movie unfolded.

I also like the moral conflict inherent in the setup. The history of aviation has seen many incidents where a pilot heroically saved his plane from a near-crash that he ultimately caused himself. In this movie, there was no such ambiguity as the crash would have happened whoever had piloted the plane; the only question was how bad it would be, and our hero the drug addict dealt with it exceptionally well. The ambiguity is different: the pilot should have been kicked off the controls years before, yet he was the only good choice for this flight, in retrospect.

I don’t regret seeing the film, but I hesitate to recommend it. I’ll call it a draw: 5/10.

Iron Sky ­— not just Moon Nazis

Everybody knows the premise of Iron Sky: as a character in the movie says, it’s “Nazis … from the Moon”. It’s a given that something explosive happens in the movie. Yet, it can carry the story only so far, certainly not the full 93 minutes. Before I saw the film, I worried whether the writers had come up with something good enough to fill the blanks. Suffice to say I’ve seen the movie twice now and expect to go at least once more to the theater.

Yes, there’s lots more than just the high concept. I can’t tell you what it is… spoilers! But I can mention some highlights without giving too much away. There’s a hilarious reenactment of the Youtube hit scene from Downfall. Finland is revealed to be unique in the way it expresses its love of peace. While the President of the United States of America (Stephanie Paul) does look a bit like Sarah Palin, the character is much more believable as POTUS. Oh, and while it’s not a part of the movie, I really like the turn-your-cellphones-off infomercial using characters from Iron Sky. And yes, Iron Sky passes the Bechedel Test.

I can also tell you this: the audience laughed many times, in both occasions; it also was utterly silent in the right moments. (Well, apart from the young man somewhere behind me in the public premiere who found both a nuclear bombing and a spaceship ramming another laugh-out-loud funny.) Iron Sky is a comedy, yes, but it is also deadly serious.

Before I saw Iron Sky the first time, I thought I would be comparing the film to Spaceballs and Galaxy Quest. Now, I don’t find those comparisons very useful any more (but I would rate Iron Sky above Spaceballs, any day). The film I find myself, quite to my surprise, drawn to as the best comparison is Kubrik’s classic Dr Strangelove. While Iron Sky doesn’t match its brilliance, it’s nothing to be ashamed of. After all, Strangelove is one of the best films ever produced.

I give Iron Sky ★★★★☆. Your mileage may, of course, vary.

Vorkosigan-saagaa vihdoinkin suomeksi

Uusi kustantamo Myrskykustannus näyttää suomentaneen Lois McMaster Bujoldin erinomaisen Vorkosigan-sarjan ensimmäisen osan Shards of Honor nimellä Kunnian sirpaleita. En ole suomennosta lukenut, mutta alkuperäinen kirja on ehdottomasti lukemisen arvionen. Suosittelen.

Cordelia Naismith on demokraattisen Beta-siirtokunnan tutkimusaluksen päällikkö. Aral Vorkosigan on Barrayar-keisarikunnan korkeita aatelisia ja sota-aluksen päällikkö. Heidän laivojensa kohtaamisen, ja Vorkosiganin laivan kapinan, takia molemmat jäävät lähes tutkimattomalle planeetalle ja joutuvat tekemään yhteistyötä päästäkseen takaisin ihmisten ilmoille. Mutta tarina ei suinkaan pääty Barrayaralaiseen tukikohtaan asti selviämiseen… Shards of Honor on samanaikaisesti suurieleinen avaruusseikkailu ja koskettava rakkaustarina.

Star Trek

It is curious to see that the eleventh movie in a series is the first to bear the series name with no adornment. It is apt, however: Star Trek is a clear attempt at rebooting the universe and basically forgetting most of the decades-heavy baggage. It seems to me that the reboot was fairly well done, too.

The movie opens with the birth of James Tiberius Kirk, and follows his development into the Captain of the Enterprise. Along the way, we also see the growth of Spock from adolescence into Kirk’s trusted sidekick and also into … well. Despite the fact that the action plot macguffins are time travel and planet-killer weaponry, it is mainly a story of personal vengeance, personal tragedy, and personal growth. Curiously enough, although Kirk gets a lot of screen time, it is really the personal story of Spock.

Besides Kirk and Spock, we also get to meet reimagined versions of Uhura (I like!), McCoy, Sulu, Chekov and Scott. And Christopher Pike, the first Captain of the Enterprise. The appearance of Leonard Nimoy as the pre-reboot Spock merits a special mention and a special thanks.

I overheard someone say in the theatre, after the movie ended, that the movie was a ripoff and had nothing to do with anything that had gone before. I respectfully disagree. The old Star Trek continuum had been weighed down by all the history into being a 600-pound elderly man who is unable to leave the couch on his own. This movie provided a clearn reboot, ripping out most of the baggage, retaining the essence of classic Star Trek and giving a healthy, new platform for good new stories. One just hopes Paramount is wise enough not to foul it up again.

It was worth it, I thought.

John Ringo: The Last Centurion

I finished reading the electronic advance reader’s copy last night. Overall, I’m glad I read it, though it was quite infuriating.

The book is set about a decade in the future. In the book’s world, anthropogenic climate change and global warming turned out to be a hoax; instead, a global cooling (caused by solar variation) was beginning. At the same time, the bird flu (H5N1) became a major pandemic. The United States was governed by the democrats and “the bitch” (a thinly disguised demonisation of a certain democrat presidential candidate), who handled everything wrong.

The book is a fictional autobiography (or a series of blog posts) by a US army officer who became famous during those turbulent times, first commanding a company finding its own way back home after being abandoned in the Middle East (the later stuff I won’t describe to avoid spoiling the book). The Last Centurions is a television propaganda show featuring his unit in action, intended to counterspin anti-military news reports.

Several chapters early in the book are pure political ranting by the narrator: how anthropogenic climate change is false, how socialized medicine is bad (and causes lots of unnecessary deaths during a pandemic), how republicans are good and democrats are evil et cetera et cetera et cetera. (Then again, it’s a Ringo book, political ranting is a given.) Given my political persuasion, it was not easy to read: I kept yelling, “where are your footnotes!” I actually tried to verify some of the claims the narrator makes, and found nothing persuasive. Still… in the end, it all turned out to be justified. It explains the character, and it explains the world. Perhaps it should be a bit trimmed during editing (remember, I read the author’s submission draft which has not been through the usual editing and copyediting cycles), but a lot of it is necessary for the story.

The premise that anthropogenic global warming is a false theory made it very hard for me to suspend disbelief. However, given that premise (and the premise of a totally incompetent government in the USA), the story is compelling and interesting. There’s a quite a bit of military action as we have become to expect from Ringo. The beginning grabbed me, – apart from the couple of chapters of exposition – held my attention tightly to the end, and left me shell-shocked.

I especially liked the wife’s edits. I’m sorry that we didn’t get to see their courtship.

I don’t know if I’ll ever want to re-read the book, but I’m still rating it at 5/5. The book is now available as an e-ARC, and will be released as a regular book in August. There is a companion site at www.thelastcenturion.com.

Starship Troopers

Robert A. Heinlein: Starship Troopers (Putnam, 1959)
Paul Verhoeven (director): Starship Troopers (TriStar, 1997)

The trouble with movies is that they fit only a short story. You can make a terrific movie out of a short story, but I have never seen a movie made of a novel that was at the same time good and faithful – most movies made of books fail in both.

The novel Starship Troopers chronicles the evolution of a high-school kid into a mobile infantry officer in a world which had seen modern democracies fail and be replaced by a veterans’ rule (veterans of also noncombat and civilian service, not just military) – Juan Rico gets in just to impress a girl, and maybe to get to vote some day, goes through boot camp, makes combat drops from orbit as a private and then as a NCO, gets opted for officer training and by the end of the book is a competent officer, helping his old drill sergeant who had found the prize. Along the way we get political sermons (now I know where John Ringo got his tendency to have characters lecture on politics!), some interesting characters and just a hint of romance.

The movie paints in broad strokes and primary colors. The first half of it is in fact a fairly decent redesign of the book as a movie, though I did not like at all how much in the face the romance (and two interconnected love triangles!) was played. Johnnie Rico gets in to impress a girl, goes through boot camp, makes some combat drops – And then it transforms into a horror movie (and loses any resemblance with the book). They make a combat drop, Lieutenant Rico drops his mission and goes rescue his girlfriend (the two triangles having been – eliminated by now) and totally misses his old drill sergeant finding the prize. Allegedly, the director never finished reading the book. Well, it shows. In the book, Rico would have been hanged by the neck until dead, dead, dead well before the end of the movie just for striking a superior officer; in the movie, everybody just shrugs it off.

The book is an enjoyable military story, the founding father of a subgenre consisting of lots of newer books; the movie is just silly.

If you have seen the movie, read the book. Don’t bother the other way around.

What fiction I read in 2007

In rough chronological order, with capsule reviews. I don’t think I’ve missed any, but it is possible that I have.

If you look through the list (behind the cut), you’ll see I read mostly Baen books nowadays. There’s a simple explanation: Baen is (almost) the only publisher that does real e-books, and I tend to avoid the inconvenience of paper books where I can. Still, there’s about a hundred titles on the list.

Continue reading

Jos ois joku Venekosken kesäteatterissa

Lapsena ja teininä juhannusaaton must-juttu oli Venekosken kesäteatterin ensi-ilta. Oli nimittäin niin, että isäni ohjasi näytelmiä siellä 14 vuoden ajan. Tänä vuonna hän teki paluun ohjaten Aino Suholan uutuusnäytelmän Jos ois joku. Luonnollisesti minun piti mennä sitä katsomaan.

En ole mikään teatterikriitikko, mutta kehua uskallan näytelmän henkilöhahmoja ja railakasta (tosin K-12-tasoista) kielenkäyttöä, ja moitin sitä, että tarinassa henkilöt tuntuivat tekevän ratkaisuja ei siksi että se heistä tuntuu oikealta vaan siksi että draaman kaari käskee siihen. En osaa päättää, olivatko näytelmän monet talking heads -kohtaukset huono vai hyvä asia: toiminta pysähtyy, mutta teksti on poikkeuksellisen hienoa. Kokonaisuutena näytelmä oli nautittava kokemus, joka piti ylitäyden ensi-iltakatsomon pauloissaan ja joka nauratti yleisöä monesti.

Lisää kuvia (ei kuitenkaan itse näytelmästä)

Book selections

A friend recommended me Steve Miller and Sharon Lee’s Liaden books. The first question, reading order, was not very easy to find an answer to. I went with publication order within the Agent of Change sequence – Agent of Change, Conflict of Honors, Carpe Diem, Plan B, and I Dare. In retrospect it would have been better to start with Conflict of Honors followed by Agent of Change, as this corresponds to story chronology, and AoC and CD have the same protagonists while CoH doesn’t. The story speed between Plan B and I Dare was too fast to break the sequence, but it might have made the latter book fuller if I had read the first batch of prequels Local Custom and Scout’s Progress before it. The second prequel sequence Crystal Soldier and Crystal Dragon works well at any point in the series, as does the third (single-book) prequel sequence Balance of Trade. I’m still reading Fledgling and the first short story collection.

Confusing? I thought so, but it definitely is worth the investment. Instead of all the usual superlatives, I’ll say something unique to this series: These books changed my perspective in that I now cannot read (in any fiction) about a character bowing without asking in my head “in which mode, dammit!?”. (Update on 8th June: The friend referred to above, after reading this section, said (I paraphrase): “In the peculiar mode of humans, of course”.)

The Liaden books are romances in a (very good) science-fictional setting. With two exceptions, each book creates at least one new lifetime romantic pairing, and they’re in my opinion convincing romances. One of the exceptions deepens one of the earlier relationships, so there is no lack of romance there.

The only place I know where one can get all the novels reliably is Webscriptions, as e-books. Some of the paper books seem to be hard to find, and the recent closing down of the main publisher Meisha Merlin cannot help there.

* * *

The promotional material for The Mote in God’s Eye by Larry Niven and Jerry Pournelle includes a quote by Robert Heinlein: Possibly the finest science fiction novel I have ever read. It is hard for me to disagree with that statement (including the qualifier, in all honesty), having recently read this book.

Mote is a complex first-contact story, set in Pournelle’s alternate history (originally future history) universe. It begins in the year 3017. The recently created Second Empire of Man gets a visit from the aliens, leading to a counter-visit by humans to the aliens’ star system. The aliens seem friendly, but are they? What could they possibly be hiding? In retrospect, the Moties remind me (in style, not in detail) of Orson Scott Card’s Piggies (Speaker for the Dead and sequels); I would be surprised if Card had not read this book before writing his.

The sequel, The Gripping Hand is not the masterpiece that Mote is, but I had no trouble enjoying it. The solution to the Motie problem has held for decades, but it won’t hold forever, and it might actually be breaking down now. The mission: save both humans and Moties from an eventual assured mutual destruction.

* * *

I actually started reading Pournelle’s alternate/future history from the cronological beginning. This is another series where reading order becomes a complicated matter, as many of the books tell parallel subthreads of the story; and it becomes even more complicated by the fact that there is an omnibus edition in which the story is told in chronological order, this having been accomplished by breaking the books down into chunks and then arranging the chunks in chronological order.

My reading order went as follows: West of Honor, The Mercenary, Prince of Mercenaries, Go Tell the Spartans and Prince of Sparta. This is a good reading order; my only problem with it is that the protagonist of West of Honor fails to appear in most of the other books.

The following is not in my opinion a real spoiler, even though it reveals certain key events of the series. The premise is that sometime between the 1970′s and the early decades of the 21st Century the United States and the Soviet Union form a union, called the CoDominium, which dominates the international politics of the Earth for most of the 21st Century. In early 21st Century, faster-than-light travel is discovered, and the CoDominium starts to colonise other star systems, first with voluntary colonists and then with convicts and involuntary colonists. The series takes place in the final decades of CoDominium, and focuses on the actions of one John Christian Falkenberg (though he is not the protagonist of all the books), first as an officer in the CoDominium (extraterrestrial) military, and then as the Colonel of a mercenary outfit, Falkenberg’s Legion. The Legion is at the center of events that eventually (after the events described in these books) leads to the creation of the first Empire of Man.

The books are entertaining military science fiction, solid, enjoyable journeyman pieces.

Christopher Anvil: Cantor’s War

I’ve been reading Baen’s collections of Christopher Anvil’s classic sf stories. In general, I’ve found them excellent; I thoroughly enjoyed the Free Library book Interstellar Patrol; and I’ve enjoyed all the stories of Interstellar Patrol II: The Federation of Humanity that I’ve read so far – with the exception of one.

I agree completely with Alex Kasman of MathFiction: In my opinion, this story is slanderous and the author should be ashamed. I have very little to add to his review, and I won’t repeat his points here. I recommend reading the whole of Kasman’s review.

On my first reading I totally missed that Dr. Phipps had been identified as a mathematician; I couldn’t believe my eyes when I went back and checked. A mathematician of the future, who is that ignorant of elemental set theory? The stuff is hammered down the throat of every mathematics freshman everywhere. It might be possible to graduate with that sort of ignorance, and I might accept it from a scientist who is not a mathematician, but to get a maths doctorate? No way.

Fine, so we suspend disbelief on that point. The good Doctor is a professional imbecile. When he uses his faulty understanding of Cantor’s Theorem to suggest a plan of attack against the bad guys, I expected it to fail, naturally. I expected the bad guys to somehow diagonalize themselves additional warships, and so prove that their number is actually uncountable, when the good guys have just a countably infinite set of ships. But did we get this? No.

Go read Kasman’s review, and the Anvil reissues. But by heavens, if you are educated in higher maths, skip Cantor’s War.